Seems okay. At first I got excited to see a 2018 post and continue reading. And there are people on Youtube. But Taxi is very close to a scam– not saying that every once in awhile someone doesn’t get “something” but definitely not worth what you are putting into it. Sadly, there are still a lot of people who have tunnel vision and only see the opportunities. When you buy products through links across our site, we may earn an affiliate commission. Even though Taxi might still be able to get you connected with some of the more “hard to get” decision makers, I see more & more writers getting deals on their own simply by doing some online homework. So I shifted my focus to a different generation of licensing sites. That’s certainly an oldie, from way back in 1999. I have, however, placed many tracks in blockbuster films and TV (the CW, NBC, Lifetime, MTV, etc). Keep swinging and read these for inspiration. I am re posting because I didn’t say Hello to you and how good it was coming across your forum here do you produce to spec for the songs and instrumental opportunities or do submit generally submit songs from your Color Theory project when there seems to be a fit? Some would be quite bad and other were excellent. Na, na, na, na,na: Thanks for the submission B. TAXI actually DID update our business model about 22 years ago when we added the TAXI Road Rally convention, which is FREE for every member and a guest of his or her choosing. Over the course of twelve years and 100+ forwarded submissions, with $3525 spent on membership and submission fees alone, I haven’t made a single deal through Taxi. In short I like being a Taxi member for reasons other then counting the number of forwards I get. After complementing the song said “it sounds like a bad mix of a bad recording” Recorded it in Nashville with top flight production I researched my files and found that I had uploaded a scratch track. Read through what others have to say, and feel free to add your own perspective! thanks for that assessment. hmm…. You probably don’t want to know the answers. I haven’t looked at the listings for years, but I’m not remotely suspicious. https://www.youtube.com/watch?v=_jEsZ129HsM&t=1s But that’s our Mount Everest. Songtradr distribution VS Distrokid (anyone tried Songtradr for distribution?) The problem is when you do it and submit it for review….you often get some thin and veiled critique. is an independent A&R company, connecting musicians with labels, publishers, and music supervisors. Think about that !! But TAXI offers connections to (as you mentioned) higher-end companies, music supervisors, and record labels. Next, I asked him about the negative customer reviews, since they far exceeded the number of positive ones. Keep up the Good Fight, and may your battles bring you more Wisdom, Hello Bryon, it has been brought to my attention how part of my last post on Taxi was wrong to write. I have learned so much with so much more to learn. But the people you are working for are just telemarketers who happen to pre listen to songs in a bad or good mood, or high, drunk, jealous etc. Tks. Seasoned members like yourself know that the key to music success is to take charge of your promotional activities and Taxi is only one of many ways to connect with industry pros. Can’t hurt, right? The music business is notorious for playing on people’s desperation and taking their rent money.. Stop paying those people ! They can get your songs into the decision-maker’s hands, but they don’t make the decision. I came to yr blog via a Twitter mention (“your circle/network blah-blah-blah!”), and am greatly enjoying your pieces here. Taxi 2 [European Import] Original Soundtrack. And the excuses they use ( your not good enough ) may be true for some but not all ! Since it can take a long time for deals to go through, that would ensure potential candidates aren’t there one day and gone the next. 250 forwards in a little over a year and a half is beyond impressive Carl! I’ve actually started to do that on my own, and I’ve already had more leads than during my 5 years at TAXI. but not knowing the flow of or even what the advertisement is all about, and if the listing which gave so much info but stopped short of that important part, knew themselves, and if not how could they reject or forward it anyway. I submitted twelve tracks and uploaded twenty to my account. Share Reply Quote. During this call, he threatened several times that if I did not remove my review, he would be forced to eviscerate me in his rebuttal to the BBB. And unlike me, it sounds like you’re actually producing types of music that stand a chance of landing deals. So the question is, where do we devote what little time and energy we have for promotion? No film or TV yet, but put me in the WIN column for believing in Songtradr. Like you said, Taxi isn’t a scam, and they are passionate about getting our music out there! Have you had any success pitching your songs on SongU? Many of them aren’t willing to take advantage of all the education and career building benefits TAXI offers because they are so “horny” to sign a deal. https://www.youtube.com/watch?v=OVUPOOT_lWI&t=42s Hard to believe it’s been 7 years since I wrote this article! Cream will, eventually, rise to the top. blah blah blah on ‘HOW GOOD’ the demo is an all that. I hear a lot of the success stories but I thought it was a pertinent question and the answer would help me make a decision about renewing. If Taxi only has ONE RAP MUSIC EXPERT, then how can Taxi claim that The TAXI A&R staff is really biased toward forwarding my material, The only Taxi Staff Member that really listens to my music, IS SCREENER 309. Interestingly, I’ve had screener 309 — your rap screener — reject my songs multiple times for “Adult Contemporary” and “Singer-Songwriter” listings. In my experience, the feedback was *sometimes* helpful. I was literally about to sign up with Taxi….now I’m not sure if it’s the right thing for me. Nope. I am so happy to read your comment. • If your mom told you that your pretty little instrumental sounds like it should be in a movie and you believed her, you should join TAXI. https://fluence.io/colortheory. My website link is: ‪www.carllord.com‬. All of my library was there and remarkably all my old submissions, forwards, critiques from 2008 even. I just let my membership slide. Don’t question them , its always your fault if your not seeing a return oh and gotta have the pep rally ! • If you don’t know what an “arc” is, then you should join TAXI. I have listened to a lot of the stuff that gets forwarded, and the majority of it is top notch. She said, “I’ll need some time” Wow. You may get critiques of a given song that seem to conflict. Guys, weighing in here after about six years in the trenches as a solo singer-songwriter. Amber. OMG this owner and his post alone are making me really hate him as a person period. I’ve been following Brian Hazard since 2014. The critiques of my music are always glowing, and I often score 10s. I’m fine with it the first way! They were genuinely sorry and I believe them. But 12 years and nothing? Lives for gear . why would you want to sign with a label anyway? But not much. – unless they take the time to check your stuff out first and have a frank conversation with you. I joined Taxi back in the late 90’s and was a member on & off up until 4 years ago. Personally, I wasn’t getting far with Taxi until I met the right people at the annual Taxi Rally last year. Oh, and another thing Brian. I only submitted Color Theory songs. I faced a similar conundrum when writing a song…..and here is MY offering to the Gods Of Lyrics: “At a baseball game Thank you for this great site. I was under the impression that commercial artist write their own lyrics, and as such, should be able to make a few adjustments to songs that were professed to be “brilliant pop tracks”. They have to hear “something.” Yes, it’s subjective, but they also know the marketplace and what their “customers/audience” – Music Supervisors, Playlisters, Tastemakers, Journalists – are looking for, need, like, want. Keep in mind, this is the kind of critique I think someone who is paying for your service has a right to expect. I can only speak to my situation, but I think it applies to a lot of us. Its a scam and the CEO knows it . I didn’t make the grade. Several of my other Taxi friends have different stories such as how they managed to hear their songs in films and TV, but we share one thing in common: we are learning, adapting, changing, improving, and refocusing ourselves all the time. Want to come to their Rally this year on me? Thanks for the kind words David! Read everything you can get your hands on about songwriting, and listen to what Top Pro writers are doing. dude, I am soooo trying out taxi when I have money again! I manage and develop a young band in south Florida. Thanks for the compliments, Jeff. We’re looking for a really current sound. The series won 18 Emmy Awards, including three for Outstanding Comedy Series. They would be very quick to tell you that prior to TAXI, they had not made a penny from film or TV syncs, and virtually all of their relationships that led to those snycs and incomes happened as a result of joining TAXI. I write what I like to write rather than on cue in a few days. $12.99: $10.43: Audio CD $12.99 1 Used from $10.43 1 New from $12.99 Special offers and product promotions . And asked if she could love him forever Needless to say, I decided to go back to TAXI today and check my account, just for the hell of it. Twenty years ago”….. They can hear someone that is tone deaf knowing they will never do anything but tell them to keep sending money! The reputable ones with integrity and honor, who know how the business works and respect all of us busting our asses and hearts to try and succeed, will not take you on as a client, will not take your money, if they don’t think you have the goods, or the potential to have the goods. “Stare Out the Window” is about acting on your dreams rather than watching life pass you by. Creating and hustling, yes, and staying as upbeat as I can, but not breaking through. Finding and connecting with them. 17th … Maybe I saw you many years ago on some audio forum somewhere. And yeah, it’s a great community. But she spun around and smiled If I were producing house, for example, I think I’d be better off with a community like Indaba or Splice, where I can learn the tricks of the trade. I sincerely hope this helps. Tons of actual EXAMPLES of people who’ve been successful using TAXI, some of whom have been making SIX-FIGURE INCOMES, and a couple making MULTIPLE six-figure incomes. Demo quality in general doesn’t work. Of course, their rep and cred is also in play. On this page on the Taxi website there are several people mentioned who I happen to know. Lyrics about cats? I’ve heard of Color Theory and I’m a big Depeche Mode fan too. No hip-hop or rap or Top 40, etc.) I suspect that many of you are in the same boat as I am. So in my experience you are better off if you just do your homework. For what I do, these briefs, even if very broad and vague, could be extremely helpful. I have a few others that have been shortlisted. As for me, most of my income comes from mastering, followed by mixing and mix consultation. Here’s a SoundCloud link to show the quality I’ve submitted to ALL of the above. But your article says that TAXI DID its job… we forwarded your music to the companies that requested it. Honestly, most music libraries themselves do not know how to effectively pitch their catalogs. Ha ha.” I find that I’m more productive when I have a deadline to meet. Business who actually show you how , what , when and where Tell you how they do it for FREE !! The TAXI and Songhunters submission fees are more of a disincentive than anything, to stop people from sending in anything and everything. But glowing comments from peers and those on Songwriting Forums. I’ve been meaning to at least upload some instrumentals since they made me a featured artist. I know several of the posters here, and they will be complimented too. And what happens when one of those screeners have a fight with there spouse that morning before they hear your song and are just not in the mood ? If so, probably not a great fit. The John Lennon Songwriting Contest, thesixtyone, ReverbNation, Pandora, Jango, OurStage, and even Sonicbids (though I have mixed feelings on it) have had a substantial positive impact on my career. Hi everyone. https://forums.taxi.com/, • We have a monthly newsletter with tons of substantive information about creating music and navigating the music industry. https://forums.taxi.com/taxi-success-stories-f7.html. I’m done wasting my time on this unprofessional sh*t show. Since I just found out about Taxi recently, I think I’m going to slow play it and build my catalog for now, paying close attention to those listings as you’ve recommended. If you try them, let me know how it goes! I’m including “360” outfits that, as their name implies, are full-service outfits that provide promotion, pr, marketing, playlisting, synch licensing, etc. I’m really troubled by your statement, “I am questioning the closeness of Taxi’s relationship, with those who are looking for said music.” Because you haven’t done any homework to know better, your statement is out there now for others to read, and it casts doubt on the veracity of our listings. Thanks for the info. Reprise: Theme From Taxi Driver: Side B 1. Star Wars: The Rise of Skywalker [Blu-ray] [2019] [Region Free] Daisy Ridley. I did not renew my membership (2014). Theme From Taxi Driver 3. Are you making a successful living from music only via placements or otherwise? I’ve been there. FOH, Funny…..all this talk of song critiques – lyrics, etc. In the years since Taxi, I more or less gave up on sync placements. I was part of TAXI for a year with my band and it didn’t do anything for me. I’m very proud of my new EP Music Man Tonight and those 4 tracks are near the top. I am truly sorry if I sound like I’m preaching here, but the word “scam” doesn’t go with the name “Taxi”. Album. Give me a break. Though, this is more 90’s retro rap than what the listing calls for. TAXI seems like a great venue for TV composers, not so much for songwriters and producers trying to get songs placed (outside of the country industry). https://www.youtube.com/watch?v=rHgWK37sQ1E, • We have what people say is the best online forum for music and music industry education. in that year I've had 44 (yes forty-four) licenses and counting, with another 20+ in the pipeline awaiting supervisor approval. I’ve watched some pretty incredible things happen there for us independent musicians (I’ve personally maintained several Rally connections over the years and landed a few deals as a result). That said, pitching directly is a monumental pain, and rather humbling. The response’s I have been receiving I believe are honest, but I am questioning the closeness of Taxi’s relationship, with those who are looking for said music. Latest album: https://music.colortheory.com/album/the-sound. But if you’re willing to put in the time, it’s worth a shot! Taxi can be a strong asset for many musicians, depending on their goals and repertoire. https://forums.taxi.com/taxi-success-stories-f7.html. Nope. As I haven't had luck with any of them, I really can't say! I honestly think Music Gateway are a complete waste of time for Sync. I spent thousands of dollars. Lisa M Written by Simbad Stanislas and Marlisa Marrero Vazquez Courtesy of Coop/Key Recordings . Alizée - Google Play Music. ONE SCREENER, THE SAME SCREENER, EVERY TIME!!!! Why be sad? I resigned again with them to see if anything has changed last month for 2 years. Just my two cents, nothing against you guys. My latest single “Schizophrenic Hearts” is my first and only forward with Taxi. The community is also one of the best. Is it Limousine, Taxi, Back Seat of My Car, or The Needle and the Damage Done? when she found the ring I bought her”. An hour long reality show uses about 100 instrumental cues. Most recently was a listing for an ad; commercial of a Mother rough time with teen getting into the car, My New Name, a song about the child giving her a new name being born to her and reflection as she is in the car driving away could be a scenerio. I don’t want to stare out the window You might want to disregard the opinion of one of our screeners, but if the same opinion is expressed by a couple of them or more, it could be extremely valuable feedback that you probably couldn’t have gotten anywhere else. Taxi is a great resource for beginners who need to understand the finer points of songwriting and music licensing. Bryon, I’ve been with Taxi two years, have probably submitted a couple of dozen times at $5 a pop, but haven’t had even one forward, so I don’t think I’ll renew for a third year. Thank you for sharing… Nobody legit in the music business deals with Taxi. I immediately wondered if I was a man, would he have so immediately pegged me as a young, blubbering mess rather than a professional musician and engineer with more than 30 years of experience? What? Hope to sign up soon! Does this mean I stop creating, stop making music, stop forging on through the fog? Best regards, Some of them have indeed recommended Taxi. They realize that TAXI is much more than just the 1,200 opportunities ( https://www.taxi.com/industry.php ) to pitch their music every year. That’s right, every single musician who negatively reviewed him was a competing company catfishing the public. Your email address will not be published. He will ask you to subscribe to his channel and if you want to you can send him a little money and that is fair. Sonicbids — maybe … that is if you don’t live in any of the major cities and won’t hear about these opportunities otherwise. Since my last posting I've added 2 more licenses (Asia), and I'm up to $80 after commissions have been taken out, but that only represents 7 of my 46 licenses and some of those are quarterly payments. We haven’t seen his video clips that explain why his business is the best. 10/10 for effort (not so much for results). Really I do! I’m lucky to make a few hundred bucks a year from placements, and maybe a couple grand from sales. I know a few people who mostly write for film and tv who use it, and hit license, and they seem happy enough with it. like i get it you have a business that you need to run but either run a well run business OR STFU on blogs trying to persuade people in a nasty ass tone that you are worth the $$. Lol . Thanks much, Brian. I even went so far as to say it could be worth it just for the educational value of the critiques and Road Rally. If this were baseball, my next pitch would be directly at 309’s BIG ASS HEAD. Many of my Taxi friends and I have signed deals for our music, so I don’t know why your music didn’t find a home as a result of all those Taxi “forwards”. The sad truth is that there are very few ways to get music in front of people who can make a difference, and Taxi is one of them. I think you hit on some good points though and actually agree with what you were saying. I’ve seen it firsthand at the conventions. I think everyone’s got to find their particular way to get their work out there in the world; here’s wishing you a success in finding what works best for you. Either you’re already kickin’ it or you’re a diamond in the rough. I had hopes it would be helpful! Zero results. 5 offers from £5.20. I'm now experimenting with Pond5, but just got started last week so no updates yet. So, hear me out. for their roster artists/clients, and the many outfits promising help getting TV and film placements. Didn’t make the grade there either. And if nothing else I could be sitting up at some bar chatting it up with other guys like me saying “Yeah, I tried Taxi.. tough racket..” (*knocks one back*). They are worse than banks! I don’t benefit from different opinions about my music from various Taxi Screeners, because I only hear ONE OPINION FROM TAXI ABOUT MY MUSIC, and that’s the opinion of screener 309. But I’m considering if it’s at least worth two years to get whatever I can out of it even if it ultimately turns out to be nothing more than some critiques, forum camaraderie, and maybe a friendship or few that could turn into great collaborations and/or other opportunities down the line and maybe a rally appearance. We were trying to decide between Distrokid, Tunecore, and CDBaby. After being a member for a year and getting a few forwards I asked the question. In one case, my song was rejected because the screener didn’t like literally one word in the lyric. NOW, that’s not the case with scammers like Taxi AND others. For every frustration like that, there have been 5 constructive suggestions that have really helped me..So I’ll just say that at a minimum TAXI is worth it if only for the custom critiques and use the suggestions you agree with to become a better songwriter and go with your gut on the ones you don’t……………………. Your comment along with many others on this thread has helped me set the right expectations for my association with this organization. Then you could see for yourself what’s possible with this organization. The obvious counterargument is that my music simply sucks. This Washington taxi driver has a big secret - he is a musical star who composes in his car. You may never profit from your investment, let alone break even, or it may take longer. Whether that alone is worth the price of membership is a subjective question. Taxi makes promises it can’t even dare try to deliver. We also teach you the music industry etiquette you need to keep those clients coming back to you for more music! Those who DO take advantage of the education and community are quietly making tens of thousands of dollars a year (and even MULTI-SIX-FIGURE incomes). I have personally learned a lot in the time I have been with them and have had the pleasure of chatting with several industry rofessionals through their forums. I’ve never been in a tribute band. The only placements I've gotten were on MTV shows through Bunim-Murray, who found me. If you have to concentrate your time and money on 3 of them, what would it be in your experience? https://soundcloud.com/sophismusic/schizophrenic-hearts. I’ll even come to your Road Rally and tell him in person if he wants me to, I don’t care who he is… That’s been the mission of this blog from the beginning. so no it isn't a scam. I had to “audition,” as it were. contemporary songs to a Professional Level, you could gain some benefit. The music supervisor found me on thesixtyone and I connected with the publisher through Sonicbids. Many of the members have had dozens if not hundreds of placements on TV and Film. But they will send glossy pictures and success stories of the less than 1% . So, in the end TAXI’s model and services have expanded and become MUCH more than just pitching music. I really think highly of Taxi, but I don’t think I should solely depend upon them or any one company for potential success? Now that it’s 2019 I’m brand new to MusicSupervisor (less than a week) and hopefully soon with Marmoset (waiting to hear back). Them forever to transition to online – true and getting a lot of questions Songtradr! Start over page 1 of 1 start over page 1 of 1 start over page 1 1. ’ m promoting my music out there. ) on thousands of doors at this point is notorious for on. Earned any money from Songtradr though re right that $ 500 isn ’ t even get half anymore nobody in... 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