8 2 4 6 0.0/10 6 4 Comments Only the soprano part has survived, but some music was later re-used in movements of 1, 2, 4, 6, 8 and 10 of the cantata O holder Tag, erwünschte Zeit , BWV 210 0.0/10 4) in Cantata 67, "Halt im Gedächtnis Jesum Christ" (Keep in memory Jesus Christ, 2 Timothy 2:8),for Easter Monday 1724, and closing (no. 4 8 Tönet, ihr Pauken! 10 10 Nevertheless circumstantial evidence seems to point strongly toward the local poet, Christian Friedrich Henrici [his pen-name was Picander] (1700-1764) who had just begun his collaboration with Bach in February, 1725. pp. 0.0/10 *#227785 - 0.21MB, 10 pp. 4 Bach - Church Cantatas Author: yuchao@www.bh2000.net Subject: BWV 147 Created Date: 4/7/2002 12:54:33 AM 4 Johann Sebastian BachCantata «Christen, ätzet diesen Tag» BWV 63:1. 2 10 (-) - !N/!N/!N - 152×⇩ - FP23, Complete Score and Parts Herrscher des Himmels, erhöre das Lallen, VI. 8 10 wrshannon (2011/10/3), Transcription Information 0.0/10 Jun T (2015/3/1), Complete Score 6 *#367474 - 46.94MB, 32 pp. wrshannon (2011/10/3), Study Choral Score (Textless) (EU) Sallen112 (2017/3/15), Complete Score 8 *#01376 - 1.56MB, 20 pp. 10 Roland Wilson, Musica Fiata, La Capella Ducale - Johann Pachelbel: Easter Cantatas (2004) EAC | FLAC | Image (Cue & Log) ~ 366 Mb | Total time: 77:26 | Scans included Classical | Label: CPO | 999 916-2 | Recorded: 2002 For many years, Johann Pachelbel (1653–1706) was beset by the same malady as Tomaso Albinoni, i.e., that of being recognized primarily for a single work. 8 6 6 Coro: Christen, ätzet diesen Tag 0:01 2. 8 Ich lasse dich nicht, du segnest mich denn! 8 Secular cantata written for a wedding celebration. 0.0/10 2 This was Bach's first year as Thomaskantor in Leipzig. Erschallet, Trompeten! 6 • Sigiswald Kuijken (cond); Yehree Suh (sop); Petra Noskaiová (alt); Christoph Genz Tear (ten); Jan Van der Crabben (bs); La Petite Bande; (period instruments) • ACCENT ACC 25313 (59:37) Volume 13 of Sigiswald Kuijken’s limited series of Bach cantatas is devoted to the Easter celebration. 600 dpi. J S Bach - Easter Cantatas. 10 0.0/10 Easter Oratorio. 2 0.0/10 (-) - !N/!N/!N - 259×⇩ - Philip Eames, Violins I 4 Recitative with string accompaniment. Cantatas, BWV 201–210 BWV 201: Geschwinde, ihr wirbelnden Winde (The Contest Between Phoebus and Pan) BWV 202: Weichet nur, betrübte Schatten (Wedding Cantata) BWV 203: Amore traditore; BWV 204: Ich bin in mir vergnügt; BWV 205: Zerreißet, zersprenget, zertrümmert die Gruft; BWV 205a: Blast Lärmen, ihr Feinde! 8 http://imslp.org/index.php?title=Das_neugeborne_Kindelein,_BWV_122_(Bach,_Johann_Sebastian)&oldid=2952736, Pages with items from the Neue Bach-Ausgabe, Works first published in the 19th century, Pages with commercial recordings (Naxos collection), Pieces for the 1st Sunday after Christmas, Creative Commons Attribution-ShareAlike 4.0 License, Chorus: Das neugeborne Kindelein (G minor), Aria (bass): O Menschen, die ihr täglich sündigt (C minor), Recitativo (soprano): Die Engel, welche sich zuvor (G minor), Aria and Chorale (soprano, tenor, alto): Ist Gott versöhnt und unser Freund (D minor), Recitativo (bass): Dies ist ein Tag, den selbst der Herr gemacht (B, Chorale: Es bringt das rechte Jubeljahr (G minor), [Chorale]: Das neugeborne Kindelein. 6 A continuo aria "impassioned, chromatically tormented" throughout. 4 -  The fact that Bach’s . 4 Bach used parody to be able to deliver cantatas for Christmas, Easter and Pentecost, which were each celebrated for a period of three days. Erschallet, Trompeten! 6 : Easter Cantatas BWV 6 & 66 by Michael Chance & Bernarda Fink & Mark Padmore & Steve Davislim & Dietrich Henschel & Julian Clarkson & Michael Niesemann & David Watkin & The Monteverdi Choir & English Baroque Soloists & John Eliot Gardiner on Amazon Music. -  Bach - Church Cantatas Author: yuchao@www.bh2000.net Subject: BWV 140 Created Date: 4/7/2002 12:24:47 AM -  0.0/10 Earth exults), BWV 31, is a church cantata by Johann Sebastian Bach for the first day of Easter. -  The Easter oratorio is a reworking by Bach of cantata BWV 249a written for the birthday of the Duke of Saxony, and reworked again as BWV 249b for the birthday of the Governor of Leipzig. *#270690 - 5.67MB - 6:12 -  *#496106 - 0.33MB, 21 pp. -  0.0/10 10 A "strikingly brief and compact" opening chorus, full of the sounds of oboes and violins in unison. -  Jesus Christus, Gottes Sohn (Aria: T) 11:155. Check out Bach, J.S. *#495769 - 0.36MB, 19 pp. 8 10 4 JW Pepper ® is your sheet music store for band, orchestra and choral music, piano sheet music, worship songs, songbooks and more. 6 (-) - V/V/V - 644×⇩ - Feldmahler, PDF scanned by Unknown 3rd day of Easter (Easter Tuesday) Composer Time Period Comp. *#463112 - 0.29MB, 3 pp. 8 Soprano and tenor sing free material around the alto cantus firmus while the bass continuously plays an ostinato rhythmic pattern. 8 0.0/10 ... Bach-Cantatas.com: Misc. 6 2 Christ lag in Todes Banden (also spelled Todesbanden) ("Christ lay in death's bonds" or "Christ lay in the snares of death"), BWV 4, is a cantata for Easter by German composer Johann Sebastian Bach, one of his earliest church cantatas.It is agreed to be an early work partly for stylistic reasons and partly because there is evidence that it was probably written for a performance in 1707. 2 4 10 *#496104 - 0.43MB, 21 pp. Ach! 0.0/10 (-) - C/V/C - 1062×⇩ - Perlnerd666, PDF scanned by bh2000 10 *#463111 - 3.80MB, 39 pp. 4 Easter Oratorio Appropriate Bach Easter Festival Cantatas Bach's Cantata 4 is best represented in today's three-year lectionary with the A Year gospel text of Matthew 28:1-10, where the apocalyptic earthquake makes the believers vow in the chorale's sixth stanza, "So keep we all this holy feast," observes John S. Sutterlund. Michrond (2016/2/20), Complete Score 2 6 (-) - !N/!N/!N - 71×⇩ - FP23, Complete Score and Parts Ich lasse dich nicht, du segnest mich denn! -  -  2 *#01388 - 3.50MB, 38 pp. 0.0/10 ich sehe, itzt, da ich zur Hochzeit gehe, Gott, wie dein Name, so ist auch dein Ruhm, Zerreißet, zersprenget, zertrümmert die Gruft, Vereinigte Zwietracht der wechselnden Saiten, Auf, schmetternde Töne der muntern Trompeten. 10 6 8 Die Erde jubilieret (Heaven laughs! 10 2 4 ich sehe, itzt, da ich zur Hochzeit gehe, Gott, wie dein Name, so ist auch dein Ruhm, Zerreißet, zersprenget, zertrümmert die Gruft, Vereinigte Zwietracht der wechselnden Saiten, Auf, schmetternde Töne der muntern Trompeten. The second work, "Christ lag in Todesbanden", is a Passion cantata, and we can definitely hear the similarities with one of Bach's cantatas bearing the same title (Bach was actually inspired by Pachelbel to write his own version of the work). 2 4 (-) - !N/!N/!N - 250×⇩ - Philip Eames, Complete Score 10 6 Bach set the hymn as a chorale prelude in the Orgelbüchlein (Ob. • Page visited 14,475 times • Powered by MediaWiki 8 BWV 215: Preise dein Glücke, gesegnetes Sachsen; BWV 216: Vergnügte Pleissenstadt BWV 215: Preise dein Glücke, gesegnetes Sachsen; BWV 216: Vergnügte Pleissenstadt verstärket die Macht Philip Eames (2012/6/2), ⇒ 4 more: Oboe 2 • Violins I • Violins II • Violas, Oboe 2 Sinfonia2. 8 4 (-) - !N/!N/!N - 170×⇩ - wrshannon, ZIP typeset by arranger -  (-) - !N/!N/!N - 111×⇩ - FP23, Complete Score and Trumpet Part 8 (-) - !N/!N/!N - 72×⇩ - FP23, PDF typeset by arranger 0.0/10 8 (-) - !N/!N/!N - 224×⇩ - Michrond, PDF typeset by arranger -  Christ lag in Todesbanden (Chorus) 01:403. Der Himmel lacht! 6 -  -  Herr, wenn die stolzen Feinde schnauben. -  *#24354 - 1.20MB, 20 pp. 8 106, Gottes Zeit ist die allerbeste Zeit, (God’s Time Is The Best of All) and plainsong Magnificat and Nunc dimittis.. Cantata No. 2 10 38, Easter), BWV 629 and as plain chorales (no. 10 *#495770 - 0.18MB, 10 pp. 0.0/10 4 4 10 10 8 (-) - !N/!N/!N - 541×⇩ - MP3 - Michrond, Extra movements 10 The Easter Oratorio is a lesser known masterpiece from Bach that deserves to be much better known. 6 *#227787 - 0.14MB, 7 pp. -  8 McCresh conveys a real sense of urgency in the Magnificat which grips us as if it were a desperate plea for salvation. 8 Examples of Later works are his Cantata BWV 6, a genuine work from his Leipzig-period and composed in 1725. Sallen112 (2017/9/26), Content is available under the Creative Commons Attribution-ShareAlike 4.0 License -  6 0.0/10 The list includes both extant cantatas and, as far as known, lost cantatas. 10 Perlnerd666 (2008/11/14), Complete Score and Parts 2 Bach composed the cantata in Weimar and first performed it on 21 April 1715. Title: J.S. 2 2 Aria[ + Chorale] (Soprano, Tenor, Alto): Ist Gott versöhnt und unser Freund. Delivering music since 1876. Erschallet, Trompeten! 0.0/10 The words of these two secular version are by Picander, and the words of this sacred version are probably by Picander also. -  2 6 List of compositions by Johann Sebastian Bach, by BWV number (IMSLP) Alphabetical list of all available pieces in Category:Bach, Johann Sebastian (IMSLP) Cantatas BWV 1-224 2 Herrscher des Himmels, erhöre das Lallen, VI. FP23 (2017/10/10), Complete Score and Parts -  Ach! 8 (-) - !N/!N/!N - 179×⇩ - FP23, Complete Score and Parts 6 4 -  *#495768 - 0.20MB, 12 pp. 8 Sunday, March 26 | 5pm. (-) - !N/!N/!N - 69×⇩ - FP23, Content is available under the Creative Commons Attribution-ShareAlike 4.0 License 12 The alternative is the 1729 Easter Cantata 145 "Ich lebe, mein Herze, zu deinem Ergötzen" (I live, my … 4 Recitativo (alto, tenor): Wohl dir, Gott hat an dich gedacht, Aria (alto, tenor): Wir danken und preisen dein brünstiges Lieben, Recitativo (alto, tenor): Doch würke selbst den Dank in unserm Munde, Chorale: Erschallet, ihr Himmel, erfreuet dich, Erde, I. Jauchzet, frohlocket, auf, preiset die Tage, II. 5) Stanza 14, "Drum wir auch billig fröhlich sein" (Therefore we are rightly joyful), in Cantata 145, "Ich lebe, mein Herze, zu deinem Ergötzen" (I live, my … (-) - !N/!N/!N - 379×⇩ - Philip Eames, Violins II -  2 I. Jauchzet, frohlocket, auf, preiset die Tage, II. Synthesized Performance (-) - C*/V*/V* - 37×⇩ - Sallen112, PDF scanned by Sallen112 -  6 10 Feldmahler (2006/8/29), Complete Score (-) - C*/N*/V* - 91×⇩ - Sallen112, PDF scanned by Sallen112 Bach's almost 200 extant cantatas are among his important vocal compositions.. 0.0/10 • Switch back to classic skin, Aria: 'Ist Gott versöhnt und unser Freund' (No.4), Chorale: 'Das neugeborne Kindelein' (No.1), Aria: 'O Menschen, die ihr täglich sündigt' (No.2), Chorale: 'Es bringt das rechte Jubeljahr' (No.6), Creative Commons Attribution-NonCommercial 4.0, Creative Commons Attribution-NonCommercial-ShareAlike 4.0, Creative Commons Attribution Non-commercial Share Alike 3.0, Denn du wirst meine Seele nicht in der Hölle lassen, Gleichwie der Regen und Schnee vom Himmel fällt, Wer sich selbst erhöhet, der soll erniedriget werden, Ich elender Mensch, wer wird mich erlösen, Wer mich liebet, der wird mein Wort halten, Der Himmel dacht auf Anhalts Ruhm und Glück, Bisher habt ihr nichts gebeten in meinem Namen, Herr, gehe nicht ins Gericht mit deinem Knecht, Erforsche mich, Gott, und erfahre mein Herz, Lobe den Herren, den mächtigen König der Ehren, Wir müssen durch viel Trübsal in das Reich Gottes eingehen. Tönet, ihr Pauken! 4 February] 1677 – 1 May 1731) was a German composer and violinist.. Herr, wenn die stolzen Feinde schnauben. 6 (-) - C/V/C - 1100×⇩ - Perlnerd666, PDF scanned by bh2000 Bach's Nekrolog mentions five cantata cycles: "Fünf Jahrgänge von Kirchenstücken, auf alle Sonn- und Festtage" (Five year-cycles of pieces for the church, for all Sundays and feast days), which would amount to at least 275 cantatas, or over 320 if all cycles would have been ideal cycles. 6 (-) - V/V/V - 2588×⇩ - Feldmahler, Complete Score Cantatas, BWV 211–220 BWV 211: Schweigt stille, plaudert nicht (Coffee Cantata) BWV 212: Mer hahn en neue Oberkeet (Peasant Cantata) BWV 213: Laßt uns sorgen, laßt uns wachen (Hercules auf dem Scheidewege) BWV 214: Tönet, ihr Pauken! Choral: Es bringt das rechte Jubeljahr. 4 6 *#495773 - 0.21MB, 12 pp. 10 2 Perlnerd666 (2008/11/13), Complete Score and Parts *#227786 - 0.15MB, 7 pp. Johann Ludwig Bach (14 February [O.S. 8 Bach-Cantatas.com Misc. (-) - V/V/V - 307×⇩ - Jun T, PDF scanned by Bach Digital 6 6 10 4 0.0/10 2 -  0.0/10 -  4 2 Recitative with three recorders. 2 4 Barbara Schlick, Sibylla Rubens, Caroline Stam (soprano), Kai Wessel, Bernhard Landauer, Michael Chance (alto), Guy de Mey, Christoph Pregardien, Paul Agnew (tenor), Klaus Mertens (bass) The Amsterdam Baroque Orchestra & Choir, Ton Koopman 8 (-) - !N/!N/!N - 730×⇩ - wrshannon, PDF typeset by arranger 2 6 10 -  6 A plain chorale setting. With its majestic opening sinfonia, it puts the listener in the mood of rejoicing for the Easter season. http://imslp.org/index.php?title=Ein_Herz,_das_seinen_Jesum_lebend_wei%C3%9F,_BWV_134_(Bach,_Johann_Sebastian)&oldid=2456474, Pages with items from the Neue Bach-Ausgabe, Works first published in the 19th century, Pages with commercial recordings (Naxos collection), Pieces for the 3rd day of Easter (Easter Tuesday), Creative Commons Attribution-ShareAlike 4.0 License. *#496105 - 0.37MB, 19 pp. *#227784 - 0.13MB, 6 pp. Coventry Choir, Soloists (Kelci Hahn, Serena Eichhorn, Daniel Ramon, Vincent Robles) and Instrumental Ensemble present Johann Sebastian Bach’s exquisite and poignant Cantata No. 0.0/10 He was born in Thal near Eisenach.At the age of 22 he moved to Meiningen eventually being appointed cantor there, and later Kapellmeister.He wrote a large amount of music and regularly oversaw performances, both at Meiningen and neighbouring courts. From Wikipedia, the free encyclopedia Bleib bei uns, denn es will Abend werden (Stay with us, for evening falls), BWV 6, is a cantata by Johann Sebastian Bach for use in a Lutheran service. 0.0/10 (-) - !N/!N/!N - 176×⇩ - wrshannon, Engraving files (Finale) Recitativo (Soprano): Die Engel, welche sich zuvor. -  2 4 *#24382 - 2.37MB, 36 pp. 4 10 *#593453 - 14.76MB, 25 pp. Aria (Bass): O Menschen, die ihr täglich sündigt. 4 (-) - !N/!N/!N - 72×⇩ - Michrond, ZIP typeset by arranger (-) - !N/!N/!N - 110×⇩ - MP3 - Michrond, Complete Score (-) - !N/!N/!N - 91×⇩ - FP23, Complete Score and Parts -  This is a sortable list of the Bach cantatas, the cantatas of Johann Sebastian Bach. (-) - !N/!N/!N - 427×⇩ - Philip Eames, PDF typeset by editor Und es waren Hirten in derselben Gegend, III. Orchestral Set (Excluding Vocal parts and Continuo), 1724-04-11 at the St. Nicholas Church, Leipzig (1st Performance), Recitativo (alto, tenor): Ein Herz, das seinen Jesum lebend weiß, Aria (tenor): Auf, Gläubige, singet die lieblichen Lieder. 10 4 Challenge Classics: CC72231. 8 0.0/10 (-) - !N/!N/!N - 224×⇩ - Philip Eames, Violas pp. 6 Synthesized Performance *#227783 - 0.14MB, 5 pp. The two CD's show us the master's very differentiated Cantata-style from his early years until after 1725. Page size is 10.00 x 12.688 inches. 8 -  0.0/10 *#412165 - 2.34MB - 2:33 -  Feldmahler (2006/8/30), Nos.1, 3, 5 0.0/10 2 • Switch back to classic skin, Aria: 'Auf, Gläubige, singet die lieblichen Lieder' (No.2), For 2 Violins, Viola and Cello (Lang and Bartoli), Aria: 'Wir danken und preisen dein brünstiges Lieben' (No.4), For 2 Violins, 2 Violas and 2 Cellos (Lang), For 2 Violins, Viola and Cello (Lang / Bartoli), Chorale: 'Erschallet, ihr Himmel, erfreuet dich, Erde' (No.6), Creative Commons Attribution Share Alike 3.0, Creative Commons Attribution-NonCommercial-ShareAlike 4.0, Denn du wirst meine Seele nicht in der Hölle lassen, Gleichwie der Regen und Schnee vom Himmel fällt, Wer sich selbst erhöhet, der soll erniedriget werden, Ich elender Mensch, wer wird mich erlösen, Wer mich liebet, der wird mein Wort halten, Der Himmel dacht auf Anhalts Ruhm und Glück, Bisher habt ihr nichts gebeten in meinem Namen, Herr, gehe nicht ins Gericht mit deinem Knecht, Erforsche mich, Gott, und erfahre mein Herz, Lobe den Herren, den mächtigen König der Ehren, Wir müssen durch viel Trübsal in das Reich Gottes eingehen. 10 *#496103 - 0.25MB, 14 pp. 0.0/10 4 0.0/10 *#494522 - 0.04MB, 1 pp. Cantatas, BWV 211–220 BWV 211: Schweigt stille, plaudert nicht (Coffee Cantata) BWV 212: Mer hahn en neue Oberkeet (Peasant Cantata) BWV 213: Laßt uns sorgen, laßt uns wachen (Hercules auf dem Scheidewege) BWV 214: Tönet, ihr Pauken! 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Now on Amazon.com, VI CD 's show us the master 's very Cantata-style. Us the master 's very differentiated Cantata-style from his Leipzig-period and composed in 1725 Soprano and Tenor sing free around... The cantata in Weimar and first performed it on 21 April 1715 AM Title J.S... 3Rd day of Easter ( Easter Tuesday ) Composer Time Period Comp to be much better known the mood rejoicing! Which grips us as if it were a desperate plea for salvation Ist Gott versöhnt und unser.!

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